Peter Campus

Peter Campus

Born in 1937, Peter Campus studied experimental psychology at Ohio State College and film at the City College of New York. His early tapes explore the anatomy of the video signal in relation to human psychology and perception. "The video camera makes possible an exterior point of view simultaneous with one's own. This advance over the film camera is due to the vidicon tube, similar to the retina of the eye, continually transposing light (photon) energy into electrical energy... It is easy to utilize video to clarify perceptual situations because it separates the eye-surrogate from the eye-brain experience we are all too familiar with." Campus was one of a group of artists in the mid-70s who produced work in the experimental TV labs at WGBH in Boston and WNET in New York. In addition to numerous single-channel works, he has investigated the characteristics of "live" video through closed-circuit video installations and elaborate sculptural works whose structural components included video cameras, projectors, and monitors.

  • Title: Peter Campus
  • Popularity: 0.001
  • Known For: Directing
  • Birthday: 1937-01-01
  • Place of Birth: New York City, New York, USA
  • Homepage: http://petercampus.net/
  • Also Known As:
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Peter Campus Movies

  • 1973
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    Three Transitions

    Three Transitions

    8.5 1973 HD

    "The tape is one of the seminal works in video. In three short exercises, Campus uses basic techniques of video technology and his own image to...

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  • 1974
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    R-G-B

    R-G-B

    8 1974 HD

    Writes Campus, "My most dryly stated tape, free of insinuation, [R-G-B] is simply the exploration by a performer of the color system in which he is...

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  • 1974
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    Set of Co-incidence

    Set of Co-incidence

    1 1974 HD

    Writes Campus, "I made this tape shortly after my father's death. His death permeates the tape, both in the quality of my performance and in the...

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  • 1974
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    Casual Relations

    Casual Relations

    5.3 1974 HD

    In Rappaport’s dazzling and bizarre feature-length debut, he focuses on states of imaginative possession and dispossession, demonstrating how...

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  • 1997
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    Winter Journal

    Winter Journal

    1 1997 HD

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  • 1973
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    Three Transitions

    Three Transitions

    8.5 1973 HD

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  • 1974
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    R-G-B

    R-G-B

    8 1974 HD

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  • 1974
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    Set of Co-incidence

    Set of Co-incidence

    1 1974 HD

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  • 1970
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    Kiva

    Kiva

    1 1970 HD

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  • 1968
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    Wind

    Wind

    1 1968 HD

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  • 1971
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    Double Vision

    Double Vision

    1 1971 HD

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  • 1976
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    East Ended Tape

    East Ended Tape

    1 1976 HD

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  • 1976
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    Four Sided Tape

    Four Sided Tape

    1 1976 HD

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  • 1976
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    Third Tape

    Third Tape

    1 1976 HD

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  • 1971
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    Dynamic Field Series

    Dynamic Field Series

    1 1971 HD

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  • 2019
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    shinnecock bay: leeward

    shinnecock bay: leeward

    1 2019 HD

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  • 2019
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    shinnecock bay: locks eddy

    shinnecock bay: locks eddy

    1 2019 HD

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  • 2019
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    shinnecock bay: leeward

    shinnecock bay: leeward

    1 2019 HD

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  • 2019
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    shinnecock bay: locks eddy

    shinnecock bay: locks eddy

    1 2019 HD

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  • 2019
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    shinnecock bay: leeward

    shinnecock bay: leeward

    1 2019 HD

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  • 2019
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    shinnecock bay: locks eddy

    shinnecock bay: locks eddy

    1 2019 HD

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  • 2019
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    shinnecock bay: locks eddy

    shinnecock bay: locks eddy

    1 2019 HD

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  • 2019
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    shinnecock bay: leeward

    shinnecock bay: leeward

    1 2019 HD

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  • 2000
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    Death Threat

    Death Threat

    1 2000 HD

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